Buttoning
Up The Competition
Reprinted with permission from
GOLDRUSH Magazine
Peer awards spread goodwill
among dancers.
At a February 2005 dance
competition in Richmond, VA,
attended by hundreds of
school-aged children, 50 of
them, including a 5-year-old
first-time competitor, sported
“Awesome Dancer” buttons that
recognized their outstanding
effort and performances during
the two-day event. But not one
student from the Chris Collins
Dance Studio in Alexandria, VA,
wore a button—and yet they were
thrilled with that outcome. Why?
Because they were the ones
handing out the homemade awards
and proving to themselves that
it truly is better to give than
to receive.
The idea began as a
collaborative effort among the
dancers, parents, and teachers
at Chris Collins Dance Studio.
They had decided that at
competitions, studios shouldn’t
compete against each other but
instead cheer each other on and
unite in their shared bond: the
love of dance. Although the
school has a 30-year history of
earning high honors at local,
regional, and national dance
competitions, it shuns the
win-at-all-costs approach and
prefers to live by its own
motto: “We measure success in
smiles.” To put those words into
practice,
the school’s nonprofit Dance
Company Parent Association
created buttons emblazoned with
a gold shooting star and the
words “Awesome Dancer!” Each
Chris Collins dancer was given a
button and told to give it to a
deserving dancer from another
studio at the competition.
The gesture was designed to
teach the students respect for
their fellow dancers and
encourage camaraderie beyond
studio boundaries. Many students
awarded their buttons to dancers
who exhibited outstanding
talent, while others sought out
those who gave great effort,
persevered through adversity,
showed a lot of potential, or
simply exhibited what they
considered an award-worthy
smile.
The beauty in the Dance Button
Project is that the children
were given no criteria by which
to make their awards. They alone
determined who received their
button that day and why. And in
50 private, impromptu award
ceremonies held in hallways and
dressing rooms, they spoke the
words that told other
dancers—their competitors —that
they are awesome.
It was a powerful act. Some
dancers were brought to tears by
the gesture of kindness. Others
commented that receiving this
small recognition from a fellow
dancer meant more to them than
receiving a gold plaque from the
competition judges. Students,
parents, and teachers sought out
studio director Chris Collins
and said that they’d never seen
anything like it before.
The effort didn’t stop there.
Each individually numbered
button was printed with a
website address
(www.DanceButton.com),
where its history was to be
recorded. At the site,
recipients found notes written
to them by their new dance
friends on numbered message
board threads that corresponded
to the numbers on their buttons.
They were encouraged to share
their thoughts about what it
meant to receive recognition
from another studio’s dancer.
They were also encouraged to
share the button itself. The
site suggested that each
recipient pass the button along
to another dancer from a
different studio. The project’s
originators hope that in time
the buttons will become well
traveled and carry goodwill to
dancers far beyond their
original home at the Chris
Collins Dance Studio.
One young button recipient
posted a message saying, “I
would like to say thank you for
the amazing button you gave me.
I really needed it this weekend
because I was sick with the flu
and I couldn’t breathe when I
was dancing. It made me feel
better.”
A teacher wrote, “I want to give
you all a huge ‘You are
wonderful!’ button! I can’t
say enough about how fabulous I
think this is.”
“I could not be more proud of
our dancers than I was this
weekend,” said studio director
Chris Collins. “Onstage, I
thought they were all great as
always. But it was offstage that
they really put on a show, and I
know they brought smiles to the
faces of many dancers from other
studios when they presented the
buttons. I was approached by
several studio directors and
parents telling me that their
students appreciated the buttons
and what nice students I have.”
Within days of the competition,
word of the project had spread
and reque
sts
for buttons arrived from dozens
of studio owners who wanted
their students to become part of
the effort. The Parent
Association was glad to oblige,
dedicating 100 percent of the
proceeds to its Rising Star
Scholarship Fund. This
tuition-assistance program
benefits not the parents’ own
children but young
noncompetitive dancers who
aren’t a part of the dance
company. The group calls it an
investment in the future of
dance.
In the months that followed the
competition, “Awesome Dancer”
buttons reached the West Coast
of the United States and crossed
the border into Canada, making
the project an international
program of goodwill. Since then
more than 1,500 buttons have
been awarded—including one to
mega tap star Savion Glover!
Only time and the generous
spirit of our youth will
determine whether the program
will continue. But for now,
everyone at the Chris Collins
Dance Studio takes pride in
knowing that they are changing
the face of dance, one smile at
a time.
Photo
captions (top to bottom):
Megan Savary (right), of the
Chris Collins Dance Studio in
Alexandria, VA, presenting a
button to Jahnee Milhouse of
Center Stage Dance and
Performing Arts Center in
Fairfax, VA; Jahnee Millhouse and
Megan Savary; Savion Glover
receiving a dance button from
(L-R): Megan Savary, Stella
Photiou, Christina Tucker and
Lauren Ramos of the Chris
Collins Dance Studio in
Alexandria, VA; Alex Skaltsounis
(left), of the Chris Collins
Dance Studio with Katie Anderson
of Center Stage Dance and
Performing Arts Center.